Visual Resources Association Bulletin https://online.vraweb.org/index.php/vrab <p>The <em>VRA Bulletin</em> is the journal of the Visual Resources Association, a multidisciplinary organization dedicated to furthering research and education in the field of image management within the educational, cultural heritage, and commercial environments. Its mission is to promote visual resources scholarship and disseminate information, ideas, and experiences. The <em>VRA Bulletin</em> is now a fully open access journal, which means that all materials distributed online are completely free to access by readers upon publication in order to promote a greater global exchange of knowledge, and the issues are licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).</p> en-US <p>The&nbsp;<em>VRAB&nbsp;</em>does not require copyright transfer, only permission to publish and archive the article. Copyright holders retain copyright ownership, granting a nonexclusive license to the journal and OJS to publish the article, meaning that the author may also publish it elsewhere. Before submitting an article to the journal, please be sure that all necessary permissions have been cleared in any third party material.</p> <p>This is an open access journal; users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. All issues of the journal are licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).</p> Sara.Schumacher@ttu.edu (Sara Schumacher) Otto.Luna@unh.edu (Otto Luna) Thu, 18 Jun 2026 17:42:45 +0000 OJS 3.1.2.4 http://blogs.law.harvard.edu/tech/rss 60 State of the Association https://online.vraweb.org/index.php/vrab/article/view/280 <p><span style="font-weight: 400;">Over the past year, the Visual Resources Association has sustained its dynamism while enhancing its operations. A major milestone was the November integration of a new service into membership management, led by Implementation Manager Meghan Rubenstein with invaluable assistance from Lise Hawkos. The online merch shop, constructed by Maria Nuccilli, broadens member engagement. Core activities continue through workshops, presentations, and small-group gatherings, facilitated by the Regional Workshop Programs, the Summer Educational Institute, the Equitable Action Committee, and the Membership Committee. The association’s journal, the Visual Resources Association Bulletin, is advancing toward gold-standard open access. Financial support remains active for member projects and conference attendance, with renewed collaboration with ARLIS to sustain the Summer Educational Institute. The Code of Conduct is under review, and the Education Committee has been renamed the Programming Committee to better reflect its scope. The Board also thanks members’ participation in the Future Forward Breakfast at 2025 annual conference and positions the upcoming 2026 annual conference as an opportunity to grow the community. The speech closes with a call to get involved to sustain VRA’s momentum and impact.</span></p> Xiaoli Ma Copyright (c) 2026 Xiaoli Ma https://creativecommons.org/licenses/by/4.0 https://online.vraweb.org/index.php/vrab/article/view/280 Mon, 15 Jun 2026 14:10:53 +0000 Fiscal Year 2025 Visual Resources Association Treasurer’s Report https://online.vraweb.org/index.php/vrab/article/view/279 <p>This article contains the Visual Resources Association (VRA) Annual Treasurer’s Report provided at the VRA’s Mid-Year Business Meeting on March 27, 2026. The report summarizes the end-of-fiscal-year finances for 2025.</p> Will Fenton Copyright (c) 2026 Will Fenton https://creativecommons.org/licenses/by/4.0 https://online.vraweb.org/index.php/vrab/article/view/279 Mon, 15 Jun 2026 15:22:49 +0000 2025 VRA Awards Recipients & Recognition https://online.vraweb.org/index.php/vrab/article/view/281 <p><span style="font-weight: 400;">The Visual Resources Association (VRA) presented two awards to twenty-one deserving individuals at the 43rd annual conference in Portland, Oregon on October 9th, 2025.</span></p> <p><span style="font-weight: 400;">The 2025 recipient of the VRA Distinguished Service Award (DSA) is Johanna Bauman, Associate Director for Collections Management, Pratt Institute Libraries.</span></p> <p><span style="font-weight: 400;">Twenty applicants were selected as recipients of the 2025 vrcHost Membership Awards, including Jung Soo Bae, Filippia Cheilitsi, Daniel Cichowlas, Claire Cirocco, Jori Dale,&nbsp; Aurora Daniel, Christine Gindhart, Abdelmoniem Mohammed Gomaa, Lacey Prpić Hedtke, Noah Krasman, Andrea Linsmeier, Caroline Moore, Sruthi Nanam, Olivera Nastic, Wen Nie Ng, Erin Robinson, Ruth Thomas, Saija Wilson, and two anonymous awardees.</span></p> Ann McShane, April Martin Copyright (c) 2026 Ann McShane, April Martin https://creativecommons.org/licenses/by/4.0 https://online.vraweb.org/index.php/vrab/article/view/281 Tue, 16 Jun 2026 14:21:48 +0000 Remaining Resilient https://online.vraweb.org/index.php/vrab/article/view/282 <p><span data-olk-copy-source="MessageBody">This article brings together excerpts from an interview&nbsp;</span>conducted by Lael Ensor-Bennett and Sara Schumacher&nbsp;with Allan Kohl, long-time Visual Resources Association member and former&nbsp;president.&nbsp; It offers a&nbsp;dive into the history of the organization as it intertwines with his own half a century of librarianship,&nbsp;reflecting perspectives on the history and value of the profession and the VRA. What brought us together in&nbsp;the past, and what keeps us together today?&nbsp; How might VRA shape a career?&nbsp; How have we handled significant changes,&nbsp;including the momentous shift from analog slides to digital images, and how do we remain resilient in the present?&nbsp;</p> Allan T. Kohl, Lael J. Ensor-Bennett, Sara Schumacher Copyright (c) 2026 Allan T. Kohl, Lael J. Ensor-Bennett, Sara Schumacher https://creativecommons.org/licenses/by/4.0 https://online.vraweb.org/index.php/vrab/article/view/282 Tue, 16 Jun 2026 14:37:50 +0000 Imagining Impossible Virtual Worlds https://online.vraweb.org/index.php/vrab/article/view/278 <p>Using modern archival theory and semi-structured interviews, this article examines how the online communities of the Massively Multiplayer Online Role-Playing Game (MMO) <em>Final Fantasy XI</em> (FFXI) preserve their digital cultural heritage through unofficial private servers that reconstruct past eras of the game. Drawing on 15 interviews with players and developers across multiple private servers, the article argues that these private servers produce imagined records as developers piece together a virtual world from incomplete sources, collective memory, and creative reinterpretation. In doing so, they function analogously to community archives and serve as living archives, even as they lack the organizational structures and formal recordkeeping practices that define institutional archives. Player interviews highlight the affective resonances of reconnecting to past eras of the game, while developer interviews reveal the technical, social, legal, and archival challenges that complicate long-term sustainability.</p> Lucas McGill Copyright (c) 2026 Lucas McGill https://creativecommons.org/licenses/by/4.0 https://online.vraweb.org/index.php/vrab/article/view/278 Thu, 18 Jun 2026 13:56:52 +0000 Digitizing and Enhancing Dry Plate Glass Negatives https://online.vraweb.org/index.php/vrab/article/view/270 <p>This case study breaks down the process of digitizing dry plate glass negatives with detailed steps that were developed via careful practice and observation. Archivists in small, under-resourced institutions may find this process particularly useful, as it requires only a few tools and offers instructions for preserving a photographic format that is commonly found in archives but can be intimidating to approach. The article discusses techniques for capturing high-quality digital photographs of the negatives, as well as methods through which the images can be significantly enhanced, namely, a combination of camera RAW settings and Adobe Photoshop. In this collection, each photograph of the glass plate negatives had a total of five adjustments, resulting in a polished product that is ready to be uploaded to a digital repository and otherwise shared with the public. The two camera RAW filters, Shadows and Clarity, restored a sizable amount of detail in each of the photographs; the remaining three adjustment layers, Invert, Black/White filter, and Levels, worked in cohesion to reverse the negative state of the images and increase overall clarity. Through these processes, this small Archive has supplemented original, delicate glass plates that cannot be exposed to light for extended periods and are largely undiscoverable to research communities into polished digital files.</p> John Macdonald, Paige Harris Copyright (c) 2026 John Macdonald, Paige Harris https://creativecommons.org/licenses/by/4.0 https://online.vraweb.org/index.php/vrab/article/view/270 Tue, 16 Jun 2026 00:00:00 +0000