Copyright Law and the Visual Arts: Legislation, Litigation, and Community Practice
Abstract
This historical survey focuses on developments in Anglo-American copyright law during the past three centuries, tracing how a system originally based exclusively on printed texts has gradually expanded its parameters to include works of art as well. Using visual examples as evidence, this overview reviews legislation (what the law actually says); litigation (how courts have interpreted the law); and the formulation of community practice standards that offer practitioners proactive guidance in navigating copyright’s “gray areas”. This study concludes by asking whether current American copyright law is capable of addressing increasingly complex questions of access and re-use in a rapidly evolving era of digital creation in our networked world.
Copyright (c) 2026 Allan Kohl

This work is licensed under a Creative Commons Attribution 4.0 International License.
The VRAB does not require copyright transfer, only permission to publish and archive the article. Copyright holders retain copyright ownership, granting a nonexclusive license to the journal and OJS to publish the article, meaning that the author may also publish it elsewhere. Before submitting an article to the journal, please be sure that all necessary permissions have been cleared in any third party material.
This is an open access journal; users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. All issues of the journal are licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).